Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.
In 1962, he composed “Poème Symphonique For 100 Metronomes,” in which metronomes tick at different rates and stop in different moments of the piece, creating a cloud of rhythms that dispels as the metronomes stop respectively.
We actually started from scratch! Victor and I are both music and vinyl lovers, but we always lived our passion in our private spheres. We had never worked in the music industry before and didn’t have many contacts in the music scene, to be honest. We had to build our own relations [and] convince and prove to some already well-established labels and institutions that our solution might interest them!
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As we can see, we can divide modes in Major and Minor modes and this will affect the comparison we must make with their parallel scale. For example: E Phrygian is a minor mode, therefore it should be compared to E Natural Minor and not E Major. By doing so, we would find out that the two scales differ from each other by one note: F in the Phrygian mode instead of F# which appears on the E Natural Minor scale.
In my video example above, my variations were as follows: First, I removed the hi-hat entirely (variation 1), then I added a kick and snare hit (variation 2), and finally I added kick and snare hits while removing snippets of the hi-hat pattern (variation 3). All of which is in addition to an already interesting yet repetitive beat sequence.
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Join us as we recap a year of incredible online learning with our run-down of the best Soundfly student works of 2018! Want in? Mainstage starts next week.
Imagine you have a synth bass line that’s a combination of a sine and a saw wave instrument. You like the vibe, but when you turn them both up you aren’t feeling the fatness. That’s likely because the low frequencies of the combined signal are suffering from destructive interference.
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Johnson took a moment out of his highly sought-after time to chat with us about the company and its mission to change the way we discover and organize music.
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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.
The music industry has once again gone through a tremendous transformation. Traditional roles in the business of creating music have been redefined and revolutionized.